Mr Deasy Dalkey James Joyce Ulysses Nestor

Who was the Real Mr. Deasy?

“You will see at the next outbreak they will put an embargo on Irish cattle. And it can be cured. It is cured. My cousin, Blackwood Price, writes to me it is regularly treated and cured by cattledoctors there.”

Discussing the real-life counterpart of Mr. Deasy, the headmaster of the school where Stephen Dedalus works, is a bit more complicated than characters like Buck Mulligan or Haines for the simple fact that he has no one-to-one correspondent in James Joyce’s life. Rather, Mr. Deasy is a mélange of two people from Joyce’s life.

Much like Stephen, Joyce did briefly teach at Clifton School in Dalkey, an affluent suburb to the south of Dublin near Sandycove, home to Joyce’s Martello tower. Clifton School was originally housed in Summerfield Lodge on Dalkey Ave. and later moved to a house called Cintra on Vico Road on the far side of Dalkey. Joyce’s tower roommate Oliver St. John Gogarty (the real-life Buck Mulligan) wrote that Joyce took the job at Clifton School to finance their bohemian experiment in the Martello tower. Joyce being Joyce, however, originally had a more grandiose scheme. Thus spake Gogarty:

He had, at first, thought of forming himself into a company, the shareholders in which were to receive all the proceeds from his future writings. The idea was novel. The shareholders would have to keep and humor him…. There were worse investments than in James Joyce, Inc.

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James Joyce Ulysses women Mr Deasy Nestor

The Women of Ulysses: Mr. Deasy’s Perfidious Women

Part of an occasional series on the women of Ulysses.

In “Nestor,” the second episode of Ulysses, Stephen Dedalus finds himself in a discussion with his employer, Mr. Deasy. They have reached a conversational impasse after Stephen shrugs off the manifestation of God as a mere “shout in the street.” A pregnant pause follows, and Mr. Deasy responds by condemning four traitorous women. Mr. Deasy is the first, but certainly not the last, person to point to the evils of womankind in Ulysses. As we shall see, some of these women are less culpable than the Mr. Deasies of the world would have us believe.

—I am happier than you are, he said. We have committed many errors and many sins. A woman brought sin into the world.

The woman who brought sin into the world is of course Eve, the Biblical first woman, who gave into temptation in the Garden of Eden and unleashed sin onto the world. But what of Eve? Don Gifford points out in Ulysses Annotated that the language in the book of Genesis describing Adam and Eve eating from the Tree of Knowledge is less accusatory than it is often remembered: “So when the woman saw that the tree was good for food, and that it was a delight to the eyes, and that the tree was to be desired to make one wise, she took of its fruit and ate, and she also gave some to her husband who was with her, and he ate.” Romans 5:12 tells us it was man who brought sin into the world: “Therefore, just as sin came into the world through one man…” On the other hand, there’s 1 Timothy 2:14: “and Adam was not deceived, but the woman was deceived and became a transgressor.” I guess what I’m saying is, it’s not that hard to cherry pick Bible quotes to meet your agenda. There’s a different interpretation for everyone in the audience.

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Joyce Ulysses literature Lady Gregory Yeats

James Joyce’s Poetic Rage

To put it nicely, James Joyce was a prickly pear. It’s well known that he left Dublin for continental Europe in 1904, never to return. His exile was self-imposed, but that didn’t stop him from metaphorically backing out of the room with two middle fingers raised. This reaction was simultaneously over-the-top and kind of justified. Joyce struggled to find his place amongst the literary set in Dublin because his own ego was frequently a major stumbling block. In fact, Joyce had a track record of throwing down poetically when things didn’t go his way. Joyce’s angry poetry reveals a lot about his personality and worldview, and since Ulysses is heavily autobiographical, it can help us understand where Joyce’s head was when he was constructing the oft unflattering portrayals of his friends in his novel.

 

The Holy Office

In order to understand this poem, we need to take a look at Joyce’s relationship with the movers and shakers behind the Irish Literary Revival underway in the early twentieth century. Often associated with people like W.B. Yeats, Lady Gregory and John M. Synge, this movement is associated with a flowering of Irish talent and a promotion of Irish traditional culture and nationalism. Though Joyce’s poetry is arguably in line with the style of the time, he felt that he was left behind by the literary bigwigs of his day.

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Homer The Odyssey Ulysses James Joyce Stephen Dedalus

Ulysses & The Odyssey: Telemachus

I am now writing a book based on the wanderings of Ulysses. ‘The Odyssey,’ that is to say, serves me as a ground plan. Only my time is recent and all my hero’s wanderings take no more than 18 hours. – James Joyce, 1918

Welcome to the first post in an occasional series in which I read The Odyssey, break down the references in each of Ulysses’ eighteen episodes and pull out the ancient Greek parallels. Ulysses has its basis in Homer’s ancient Greek epic, so exploring the journeys of Leopold Bloom and Odysseus side by side seems like an obvious route. However, a word of caution: while The Odyssey is present in the text of Ulysses, knowing and understanding the Homeric parallels in Ulysses will only take you so far and will sometimes present you with “false friends” – apparent parallels where there are none. It’s kind of like the Spanish word embarazada. It looks a lot like a familiar English word, but using it to mean embarrassment might lead to… well, embarrassment.

Telemachus_and_Mentor1
Telemachus and Mentor, Pablo E. Fabisch, 1699

Just so we’re clear on terms – “Homeric parallels” are the ways in which Ulysses is modeled on Homer’s Odyssey. “Ulysses” is the Latin name for the main character (Odysseus in Greek) after allIf you’ve used a reading guide or annotation to Ulysses, you’ve likely noticed that each episode in the novel is given a title corresponding to The Odyssey. The first chapter about Stephen and the boys in the tower is called “Telemachus,” for instance. Although these designations are common coin amongst Ulysses enthusiasts, they never appeared in any published edition of the book. They were popularized by Stuart Gilbert after they appeared in his 1930 book Ulysses – A Study.  Joyce provided Gilbert with a schema outlining his novel as well as prominent themes and parallels in each episode. If you use an annotation that lists the corresponding organ, color, art etc. for each chapter, these also have their roots in Joyce’s schemata.

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Who Killed James Joyce? by Patrick Kavanagh

The poem that inspired our blog.

marshanbeatz

Who killed James Joyce?
I, said the commentator,
I killed James Joyce
For my graduation.

What weapon was used
To slay mighty Ulysses?
The weapon that was used
Was a Harvard thesis.

How did you bury Joyce?
In a broadcast Symposium.
That’s how we buried Joyce
To a tuneful encomium.

Who carried the coffin out?
Six Dublin codgers
Led into Langham Place
By W. R. Rodgers.

Who said the burial prayers? –
Please do not hurt me –
Joyce was no Protestant,
Surely not Bertie?

Who killed Finnegan?
I, said a Yale-man, 
I was the man who made
The corpse for the wake man.

And did you get high marks,
The Ph.D.?
I got the B.Litt.
And my master’s degree.

Did you get money
For your Joycean knowledge?
I got a scholarship 
To Trinity College.

I made the pilgrimage
In the Bloomsday swelter
From the Martello Tower
To the cabby’s…

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James Joyce Ulysses Buck Mulligan

Ulysses CCD – Mulligan Mocks Mass

In 2017, I was a founding member of the Ulysses Support Group at T.C. O’Leary’s pub in Portland, Oregon. Our goal was to read the entirety of Ulysses aloud between two Bloomsdays. On the first night, as we started analysing the opening lines of the novel, I pointed out that Mulligan’s actions atop the Martello tower were a blasphemous mockery of the Catholic Mass. One of the other participants blurted, “How do you KNOW it’s about Catholicism??” It caught me off guard, but another member deftly responded, “Joyce was Irish. Of course it’s about Catholicism!”

I was raised Catholic in a small town where most people were Catholic. I went to Sunday school (called CCD) every week. Monty Python and the Meaning of Life was banned in our house because of the “Every Sperm is Sacred” song. One thing I learned through our book club is that a lot of the religious references and imagery don’t necessarily stand out for those of us who didn’t grow up steeped in Catholicism. I also notice a lot of reading guides and annotations for Ulysses assume the reader’s familiarity with Catholicism. In this post and many posts to come, I hope to answer the question of Book Club Dude: “How do you KNOW it’s about Catholicism??”

Today, I’m taking on that very first passage of Ulysses about stately, plump Buck Mulligan.
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