Mulligan will dub me a new name: the bullockbefriending bard.
Part of an occasional series on the Homeric parallels in James Joyce’s Ulysses.
The Odyssey, Book 3:
Telemachus and Mentor (Athena in disguise) find themselves in Pylos to meet Nestor, a wise king who fought with Odysseus in Troy. Unfortunately, Nestor doesn’t know what became of Odysseus on his journey home. Athena reveals herself by transforming into an osprey. Nestor is so impressed with Telemachus’ divine companionship that he sacrifices a heifer in Athena’s honor. There is much feasting upon the sacrificial heifer before Telemachus sets off to meet Menelaus, still in search of Odysseus.
Nestor’s biography is fairly exciting. He was the grandson of Poseidon and an Argonaut who fought centaurs and went to war with Odysseus and friends in Troy. When we meet him in The Odyssey, though, his salad days have gone and he is the wise old king of Pylos. His parallel in Ulysses is Mr. Deasy, who oversees his school from a dusty office stuffed with relics from the past, such as his collection of Stuart coins and seashells. Mr. Deasy’s CV is less impressive than Nestor’s (the only thing we know about him is that he is the headmaster of the school where Stephen works), but he is happy to rest on the laurels of his lofty ancestors, particularly Sir John Blackwood who died in an attempt to vote for Ireland to join the United Kingdom. This sort of parallel will arise again and again as we look at Nestor and Deasy. Mr. Deasy believes he is a vaunted wiseman like Nestor, but in truth he is all talk.
Dermot and Kelly discuss the connections between Ulysses and The Odyssey. We take on the Gilbert schema, how to market a book like Ulysses, what exactly happens in the opening chapters of The Odyssey, and how it corresponds to the “Telemachus” episode of Ulysses.
I am now writing a book based on the wanderings of Ulysses. ‘The Odyssey,’ that is to say, serves me as a ground plan. Only my time is recent and all my hero’s wanderings take no more than 18 hours. – James Joyce, 1918
Welcome to the first post in an occasional series in which I read The Odyssey, break down the references in each of Ulysses’ eighteen episodes and pull out the ancient Greek parallels. Ulysses has its basis in Homer’s ancient Greek epic, so exploring the journeys of Leopold Bloom and Odysseus side by side seems like an obvious route. However, a word of caution: while The Odyssey is present in the text of Ulysses, knowing and understanding the Homeric parallels in Ulysses will only take you so far and will sometimes present you with “false friends” – apparent parallels where there are none. It’s kind of like the Spanish word embarazada. It looks a lot like a familiar English word, but using it to mean embarrassment might lead to… well, embarrassment.
Just so we’re clear on terms – “Homeric parallels” are the ways in which Ulysses is modeled on Homer’s Odyssey. “Ulysses” is the Latin name for the main character (Odysseus in Greek) after all. If you’ve used a reading guide or annotation to Ulysses, you’ve likely noticed that each episode in the novel is given a title corresponding to The Odyssey. The first chapter about Stephen and the boys in the tower is called “Telemachus,” for instance. Although these designations are common coin amongst Ulysses enthusiasts, they never appeared in any published edition of the book. They were popularized by Stuart Gilbert after they appeared in his 1930 book Ulysses – A Study. Joyce provided Gilbert with a schema outlining his novel as well as prominent themes and parallels in each episode. If you use an annotation that lists the corresponding organ, color, art etc. for each chapter, these also have their roots in Joyce’s schemata.