Scylla & Charybdis
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Lapwing
Near the end of “Scylla and Charybdis,” Ulysses’ ninth episode, Stephen realizes his lecture on Hamlet is rapidly disintegrating before his eyes. Not only are John Eglinton and the rest wholly unconvinced by his arguments, but he also has Buck Mulligan nipping at his heels, undermining him at every opportunity. Stephen looks to the heavens…
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A Shakespearean Ghoststory Part 3: Gilbert, Richard, and Edmund
This is part three of a three part series about searching for real-life “ghosts” by prying into Shakespeare’s personal life. You can read part one here and part two here. Near the end of “Scylla and Charybdis,” Ulysses’ ninth episode, Stephen finally arrives at the rousing conclusion of his Shakespeare theory: not only did Shakespeare…
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Decoding Dedalus: Saint Thomas’ New Viennese School
This is a post in a series called Decoding Dedalus where I take a passage of Ulysses and break it down line by line. The line below comes from “Scylla and Charybdis,” the ninth episode of Ulysses. It appears on page p. 205-206 in my copy (1990 Vintage International). We’ll be looking at the passage…
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Decoding Dedalus: He drew Shylock out of his own long pocket.
This is a post in a series called Decoding Dedalus where I take a passage of Ulysses and break it down line by line. The line below comes from “Scylla and Charybdis,” the ninth episode of Ulysses. It appears on page p. 204 – 205 in my copy (1990 Vintage International). We’ll be looking at…
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The Chap that Writes like Synge
“Stephen had met Synge in Paris, and the clash of their temperaments had produced heat but no light.” – Frank Budgen Irish playwright John Millington Synge moves like a phantom through the pages of “Scylla and Charybdis”, Ulysses’ ninth episode. We get an allusion here, a namedrop there, but he never appears in person. Despite…
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An Intimate Portrait of Mr. W. H.
“The Love that dare not speak its name” in this century is such a great affection of an elder for a younger man as there was between David and Jonathan, such as Plato made the very basis of his philosophy, and such as you find in the sonnets of Michelangelo and Shakespeare. It is that…
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Decoding Dedalus: Yogibogeybox in Dawson chambers.
This is a post in a series called Decoding Dedalus where I take a passage of Ulysses and break it down line by line. The line below comes from “Scylla and Charybdis,” the ninth episode of Ulysses. It appears on page p.191-192 in my copy (1990 Vintage International). We’ll be looking at the passage that…
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Puck Mulligan: A Joycean-Shakespearean Fool
“—We oughtn’t to laugh, I suppose. He’s rather blasphemous. I’m not a believer myself, that is to say. Still his gaiety takes the harm out of it somehow, doesn’t it?” – Haines In “Scylla and Charybdis,” Ulysses’ ninth episode, just as Stephen Dedelaus’ exegesis on Hamlet in “Scylla and Charybdis,” Ulysses’ ninth episode, reaches a…
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Decoding Dedalus: Christfox in Leather Trews
This is a post in a series called Decoding Dedalus where I take a passage of Ulysses and break it down line by line. The line below comes from “Scylla and Charybdis,” the ninth episode of Ulysses. It appears on page p.193 in my copy (1990 Vintage International). We’ll be looking at the passage that…
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Decoding Dedalus: Entelechy, Form of Forms
“—As we, or mother Dana, weave and unweave our bodies, Stephen said, from day to day, their molecules shuttled to and fro, so does the artist weave and unweave his image. And as the mole on my right breast is where it was when I was born, though all my body has been woven of…