Stephen Dedalus
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Decoding Dedalus: He drew Shylock out of his own long pocket.
This is a post in a series called Decoding Dedalus where I take a passage of Ulysses and break it down line by line. The line below comes from “Scylla and Charybdis,” the ninth episode of Ulysses. It appears on page p. 204 – 205 in my copy (1990 Vintage International). We’ll be looking at…
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The Chap that Writes like Synge
“Stephen had met Synge in Paris, and the clash of their temperaments had produced heat but no light.” – Frank Budgen Irish playwright John Millington Synge moves like a phantom through the pages of “Scylla and Charybdis”, Ulysses’ ninth episode. We get an allusion here, a namedrop there, but he never appears in person. Despite…
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An Intimate Portrait of Mr. W. H.
“The Love that dare not speak its name” in this century is such a great affection of an elder for a younger man as there was between David and Jonathan, such as Plato made the very basis of his philosophy, and such as you find in the sonnets of Michelangelo and Shakespeare. It is that…
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Decoding Dedalus: Yogibogeybox in Dawson chambers.
This is a post in a series called Decoding Dedalus where I take a passage of Ulysses and break it down line by line. The line below comes from “Scylla and Charybdis,” the ninth episode of Ulysses. It appears on page p.191-192 in my copy (1990 Vintage International). We’ll be looking at the passage that…
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Puck Mulligan: A Joycean-Shakespearean Fool
“—We oughtn’t to laugh, I suppose. He’s rather blasphemous. I’m not a believer myself, that is to say. Still his gaiety takes the harm out of it somehow, doesn’t it?” – Haines In “Scylla and Charybdis,” Ulysses’ ninth episode, just as Stephen Dedelaus’ exegesis on Hamlet in “Scylla and Charybdis,” Ulysses’ ninth episode, reaches a…
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Decoding Dedalus: Christfox in Leather Trews
This is a post in a series called Decoding Dedalus where I take a passage of Ulysses and break it down line by line. The line below comes from “Scylla and Charybdis,” the ninth episode of Ulysses. It appears on page p.193 in my copy (1990 Vintage International). We’ll be looking at the passage that…
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Decoding Dedalus: Entelechy, Form of Forms
“—As we, or mother Dana, weave and unweave our bodies, Stephen said, from day to day, their molecules shuttled to and fro, so does the artist weave and unweave his image. And as the mole on my right breast is where it was when I was born, though all my body has been woven of…
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A Shakespearean Ghoststory Part 2: Anne Hath a Way
“In fact, it could be argued that versions of Anne Hathaway are always constructed in connection with Shakespeare, and that the ways she is depicted are designed to produce a particular ‘Shakespeare’ rather than an independent portrayal of Hathaway as an early modern woman…” – Katherine Scheil “Anyone steeped in western literary culture must wonder…
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A Shakespearean Ghoststory Part 1: Hamnet Shakespeare
“—But this prying into the family life of a great man, Russell began impatiently.” This is part one of a three part post about searching for real-life “ghosts” by prying into Shakespeare’s personal life. You can read part two here and part three here. Who was the real Hamnet Shakespeare? Not much is known about…
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Decoding Dedalus: Hamlet, ou le Absentminded Beggar
“The art of James Joyce, like that of Mallarmé, is art preoccupied with method, with how it’s made. Even the sensuality of Ulysses is a symptom of intermediation. It is an hallucinatory delirium – the kind treated by psychiatrists – presented as an end in itself.” – Fernando Pessoa This is a post in a…