James Joyce, Ulysses, Proteus

Ep. 46 – Paradise of Pretenders

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Lambert Simnel carried on the shoulders of his (barefoot) Irish supporters.

Kelly and Dermot explore Ireland’s historic connections to various pretenders to the English throne, how this connects to Stephen’s unsquashable beef against Buck Mulligan,  Solange Knowles, medieval abstrusiosities of all sorts, the mystery of the princes in the Tower, Dermot’s disdain for the Tudors, whether or not Ireland is still a “paradise of pretenders,” Stephen’s sadness and guilt, his shadow projection, his hydrophobia, his relationship to his sister Dilly, and the drowning motif of Ulysses.

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James Joyce, Ulysses, Stephen Dedalus, the Viking, Dublin, history

Ep. 44- Galleys of the Lochlanns

oh-boy-sleep-thats-where-im-a-vikingKelly and Dermot set sail for the time of Vikings and jerkined dwarfs! They discuss the differences of similarly-shaped seafaring vessels, Lochlanns, Fr. Dineen’s Irish dictionary, the intersection of Viking and Celtic cultures in Ireland, torcs, tomahawk, the horrors of 14th c. Dublin, famine, plague and slaughters, the story of the time a pod of cetaceans washed ashore in medieval Dublin, the story of the time the Liffey froze over and people grilled on top of it, Stephen as a changeling, Stephen momentarily becoming displaced in time, and Stephen’s attempt to construct an Irish identity.

Steve Carey of Bloomsday in Melbourne drops by to chat about how to put on a Bloomsday theatre production in the time of Covid.

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James Joyce, Ulysses, Proteus, Sir Lout, Stephen Dedalus

Ep. 43 – Panthersahib and Pointer

Kelly and Dermot consider, Stephen’s decision to leave the Martello Tower, his struggles as a would-be artist in the colonial landscape of Edwardian Dublin, his fear of dogs, the protean process of death and decay, what the heck a grike is, why Sir Lout talks like that, how to pronounce “gunwale,” some more meditations on death and decay, and who the two maries are.

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The Three Women on the Tomb of Christ, Irma Martin, 1843

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James Joyce, Ulysses, Proteus, Kevin Egan, Clerkenwell Prison

Ep. 42 – Under the Walls of Clerkenwell

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An artist’s rendering of the Clerkenwell Explosion, 1867.

Dermot and Kelly take on some of the history behind the tale of Irish exile Kevin Egan. This episode’s discussion covers the story of the 1867 Clerkenwell explosion, what that has to do with Kevin Egan, Egan’s relationship to his wife and son, Dermot’s relationship to Tayto crisps, Egan’s memories of Kilkenny, the Berkeleyan quality of memory, more father-son angst, and a cautionary tale for young Stephen.

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Ulysses James Joyce Kevin Egan

Ep. 41 – Froggreen Wormwood

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Édouard Manet, The Absinthe Drinker, 1859

Images of early morning Paris through the ineluctable modality of Stephen Dedalus’ memory, smells of incense and absinthe. We discuss Stephen’s life as a starving artist (literally), Kevin Egan and his unwilling exile in Paris, Egan’s real life counterpart, New York Times write-ups of duels in the 19th century, Irish nationalist groups of the 19th century, the proper way to drink absinthe, dalcassians and Arthur Griffith, Maud Gonne, Édouard Drumont v. Léo Taxil, and the pitfalls of attempting to make Ireland more like continental Europe.

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James Joyce, Leo Taxil, blasphemy, Baphomet, Ulysses, Paris

Ep. 39 – C’est le pigeon, Joseph.

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La Vie de Jésus, by Léo Taxil

Stephen Dedalus learns the value of gentlemanly blasphemy in this episode of Blooms & Barnacles. Our hero evades the nets of his oppressors while recalling a conversation with a friend in Paris. Topics include the changing face of Ringsend, the Pigeonhouse, Stephen’s epiphanies and the Epiphany, Dermot speaking French, what Jules Michelet doesn’t know about women, absinthe, the elaborate blasphemies of Leo Taxil’s pornographic pope period, Baphomet, the freemasons, and the greatest trick ever played on the Catholic Church (that might be overstating it, but it’s a fun story).

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James Joyce, Proteus, Ulysses, Eucharist, Catholicism, Last Supper

Ep. 37 – Who is this Dan Occam fellow, anyway?

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William of Ockham

Dermot and Kelly tickle your brain with Stephen Dedalus’ thoughts on the Eucharist, William of Occam, hypostasis, consubstantiation, transubstantiation… we’ve got it all! Other major philosophical queries discussed include: How can so much bread and wine all become Christ’s body and blood. Does Stephen really understand hypostasis. When does soup become soup? Is it immoral to impersonate a priest as long as you don’t hear someone’s confession?

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Decoding Dedalus: God Becomes Featherbed Mountain

This is a post in a series called Decoding Dedalus where I take a passage of Ulysses and  break it down line by line.

The line below comes from “Proteus,” the third episode of Ulysses. It appears on page p. 50 in my copy (1990 Vintage International). We’ll be looking at the line that begins “God becomes…” and ends “…featherbed mountain.”

God becomes man becomes fish becomes barnacle goose becomes featherbed mountain. 

This sentence is a riddle for us, Stephen’s phantom students.

Early in “Proteus,” Stephen thinks, “Signature of all things I am here to read,” and as the episode closes, Stephen is still deciphering these signatures. All of the items in this list are, at least theoretically, signs that might appear to Stephen on the seashore. The question is, can we (or Stephen) interpret these signs? This sentence shows a progression of concepts shifting and metamorphosing into one another, staying true to the slippery, protean nature of the shore. Where does the land end and the sea begin? It’s all a matter of perspective depending on ever-changing and overlapping forms – the sand, the water, the tides that join them, all existing on a continuum, nacheinander and nebeneinander. 

How does God transform into a featherbed mountain, anyway?

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Decoding Dedalus: Full Fathom Five

I haven’t let this young man off very lightly, have I? Many writers have written about themselves. I wonder if any one of them has been as candid as I have? – James Joyce to Frank Budgen

This is a post in a series called Decoding Dedalus where I take a passage of Ulysses and  break it down line by line.

The passage below comes from “Proteus,” the third episode of Ulysses. It appears on page p. 50 in my copy (1990 Vintage International). We’ll be looking at the passage that begins “Five fathoms…” and ends “We enjoyed ourselves immensely.”


Before we leave the shores of Sandymount at the end of “Proteus,” we should dive into one last motif just a bit deeper. We’ve previously focused on drowning in relation to the death of Stephen’s mother and as a manifestation of Stephen’s hydrophobia, but at the end of the episode, the image of a drowned man in Dublin Bay resurfaces once more. As we’ll see, Stephen fear of drowning extends beyond his memories of his mother coughing up bowls of green phlegm.

Moving his focus from the sand, stones and seaweed on Sandymount Strand, Stephen begins to contemplate the waters of Dublin Bay. He has attempted to categorize and order the scattered people, creatures and detritus of the shore through Berkeleyan idealism and the fixed language of heraldry, but the sea is still a wild place, shifting and protean. The sea contains mysteries yet untamed, the ninth wave out from land a portal to the otherworld. It is not confined to the restrictions of solid forms like those found on the shore. It is a place of possibility, and ultimately, change.

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