Stephen Dedalus

  • Ep. 21 – Croppies Lie Down

    This week, Kelly and Dermot explain the nightmarish history tucked into Stephen’s terse rebuttal of Mr. Deasy’s weak grasp of Irish history. The passage covered can be found on p. 31 of Kelly’s edition of Ulysses (1990 Vintage International). Topics covered include the history of the Orange Order, the Battle of the Diamond, the Planters’…

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  • Decoding Dedalus: Galleys of the Lochlanns

    We don’t want any of your medieval abstrusiosities. – Stephen Dedalus This is a post in a series called Decoding Dedalus where I take a passage of Ulysses and  break it down line by line. The passage below comes from “Proteus,” the third episode of Ulysses. It appears on page 45 in my copy (1990…

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  • Ep. 20 – Big Words Which Make Us So Unhappy

    History is the art of Nestor, so let’s immerse ourselves in the nightmare of history, at least the bits covered on  p. 31 of Ulysses. Learn about Stephen’s hippopotomonstrosesquippedaliophobia.  Mr. Deasy tries to teach Stephen a bit of history, but (spoiler alert) he doesn’t know much about history. Topics covered include Daniel O’Connell, the Orange lodges,…

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  • Form of Forms

    “It follows that the soul is analogous to the hand; for as the hand is a tool of tools, so the mind is the form of forms and sense the form of sensible things.” – Aristotle, De Anima I am absolutely indebted to the Stanford Encyclopedia of Philosophy and the book Allwisest Stagyrite: Joyce’s Quotations…

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  • Ep. 19 – Fogey and Tory

    A character study of the infamous Mr. Deasy, the headmaster of Stephen’s school in “Nestor,” the second episode of Ulysses. We discuss how Mr. Deasy is a stereotypical Dubliner of his day, as well as his defining characteristics (including his impressive mustache!) Mr. Deasy has a lot to teach us, though he is an old…

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  • Decoding Dedalus: Ineluctable Modalities

    “The first phase of apprehension is a bounding line drawn about the object to be apprehended. An esthetic image is presented to us either in space or in time. What is audible is presented in time, what is visible is presented in space.” – Stephen Dedalus, A Portrait of the Artist as a Young Man…

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  • Never Let Them In

    —They sinned against the light, Mr Deasy said gravely. And you can see the darkness in their eyes. And that is why they are wanderers on the earth to this day. To listen to a discussion of this topic, check out the podcast episode here.  We’ve already discussed Mr. Deasy’s retrograde and inaccurate views on…

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  • Ep. 9 – Remorse of Conscience

    Kelly and Dermot discuss the recurring phrase “Agenbite of Inwit” and why Stephen repeats it over and over on June the sixteenth. Other topics included in the discussion are Buck Mulligan as nagging conscience, the gothic horror of growing up Irish, Catholic guilt and whether or not Stephen would have been better off praying at…

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  • Agenbite of Inwit

    —He can’t wear them, Buck Mulligan told his face in the mirror. Etiquette is etiquette. He kills his mother but he can’t wear grey trousers. To listen to a discussion of this topic, check out the podcast episode here. The text of Ulysses is populated by certain repeated phrases that shine light on the inner…

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  • Decoding Dedalus: Glorious, Pious and Immortal Memory

    This is a post in a series called Decoding Dedalus where I take a paragraph of Ulysses and  break it down line by line. The passage below comes from “Nestor,” the second episode of Ulysses. It appears on page 31 in my copy (1990 Vintage International). Glorious, pious and immortal memory. The lodge of Diamond……

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