Sandymount Strand
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Ep. 59 – Rere Regardant
This episode’s passage comes from p. 50-51 in my edition of Ulysses (1990 Vintage International), and covers the passage beginning “Come. I thirst.” and ending “…a silent ship.” We did it!!! We finally finished “Proteus”! We’re covering the last page of Ulysses’ third episode this week. Topics include Dermot’s love of tall ships and the…
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Ep. 56 – Fourworded Wavespeech
**If you’re unfamiliar with the peeing Calvin decal (or if you are), here’s the story. The divine and the profane live side by side in Ulysses. In this episode, we discuss what the heck Cock Lake is, why Stephen pees on the strand at the end of “Proteus”, the themes of generation and corruption in…
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Ep. 53 – The Virgin at Hodges Figgis’ Window
Dermot and Kelly carry on discussing “Proteus” in their flutiest voices! Topics in this episode include: yet more discussion of the philosophy of the good bishop of Cloyne, George Berkeley, shovel hats, the fluttering of the veil between the material world and the metaphysical world, Dermot’s grudge against Bertrand Russell, how language obscures one’s perception…
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Ep. 51 – Omnis Caro Ad Te Veniet
Kelly and Dermot discuss one of the most metal passages in all of Ulysses! You can find it at the end of “Proteus” beginning with “A side eye at my Hamlet hat.” Topics include Hamlet (so much Hamlet), Stephen’s creative spark, more resent for Buck Mulligan, more grief for Stephen’s mother, the shifting protean nature…
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Ep. 47 – Tatters
Kelly and Dermot talk dogs, specifically Tatters, the dog encountered by Stephen on the strand at Sandymount. Topics include Joyce’s belief that the dog is the most protean creature, Tatters’ many forms on the seashore, cocklepickers then and now, seamorse, heraldry, Stephen’s many phobias, reincarnation, sea gods, the ninth wave, pards, the Buddha-nature of a…
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Ep. 43 – Panthersahib and Pointer
Kelly and Dermot consider, Stephen’s decision to leave the Martello Tower, his struggles as a would-be artist in the colonial landscape of Edwardian Dublin, his fear of dogs, the protean process of death and decay, what the heck a grike is, why Sir Lout talks like that, how to pronounce “gunwale,” some more meditations on…
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Decoding Dedalus: Full Fathom Five
“I haven’t let this young man off very lightly, have I? Many writers have written about themselves. I wonder if any one of them has been as candid as I have?” – James Joyce to Frank Budgen This is a post in a series called Decoding Dedalus where I take a passage of Ulysses and …
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Ep. 33 – Nuncle Richie
Stephen contemplates the horror of a visit to his Aunt Sara and Uncle Richie’s house. We discuss parallels in this scene with Joyce’s real life aunt and uncle, why Joyce’s Aunt Josephine gave away her first edition of Ulysses, the intractable Dubliner/culchie divide, middle class pretension, Hiberno-English, Wilde’s Requiescat, and the difficulty of parsing conversations…
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Ep. 27 – Nacheinander and Nebeneinander
Real talk: why are there no seagulls on Sandymount Strand in Ulysses? Have we stumbled onto a historical seagull-based conspiracy? Stay tuned to find out! Additionally, we’ll also continue discussing how Stephen’s walk on the beach is influenced by Berkeleyan idealism, Stephen’s perception of space and time, how blind people perceive the world and the…
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Poetry in Ulysses: White Thy Fambles, Red Thy Gan
“[Rogues] have their several Wenches, and several places of meeting, where whatsoever they unlawfully obtain they spend, and whatsoever they spend is to satisfie their unsatisfied lust; wallowing in all manner of debauchery, converting the night into day and the day into night, damning and sinkling being four parts in five their discourse…” – Richard…