Decoding Dedalus: Pale Vampire

Is the mouth south someway? Or the south a mouth? – Stephen Dedalus

This is a post in a series called Decoding Dedalus where I take a passage of Ulysses and  break it down line by line.

The passage below comes from “Proteus,” the third episode of Ulysses. It appears on pages 47-48 in my copy (1990 Vintage International). We’ll be looking at the passage that begins “A side eye…” and ends “… the library counter.” 

In “Proteus,” James Joyce associated the color green with creation. We find green, and by extension creativity, reflected in the seaweed strewn across the strand, in Stephen’s memory of Kevin Egan’s absinthe and, direct from Cock lake, in Stephen’s urine. Thus far on June the sixteenth, Stephen has struggled to exercise his artistic creativity, instead disrupted by the crass Buck Mulligan, the gormless Haines and the calcified Mr. Deasy. Left to his own devices on Sandymount Strand, Stephen is finally stirred to claim his birthright as an Artist:

A side eye at my Hamlet hat. If I were suddenly naked here as I sit? I am not. 

As the cocklepickers pass Stephen by, he is first stirred by a different kind of “creative” inspiration. Previously he had let his imagination run wild, imagining the couple to be a pimp and a prostitute scamming the wealthy men of Dublin. Stephen speculates that his Parisian fashion statement has caught the woman’s eye. The Latin Quarter hat has transformed, in accordance with the protean nature of all things found on Sandymount Strand, into a Hamlet hat.  “Latin Quarter hat” is a Mulligan-ism, a phrase used to mock Stephen’s attachment to the trappings of his previous faux-hemian surroundings. Here, Stephen is gaining a bit of agency, at the very least dictating the nickname of his hat. More importantly, he is naming his role in the “story” of his life. He is Hamlet, the aggrieved Prince of Denmark. Usurpers, beware.

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Orange Order, Diamond Dan, Ulysses, James Joyce

Ep. 21 – Croppies Lie Down

This week, Kelly and Dermot explain the nightmarish history tucked into Stephen’s terse rebuttal of Mr. Deasy’s weak grasp of Irish history. The passage covered can be found on p. 31 of Kelly’s edition of Ulysses (1990 Vintage International). Topics covered include the history of the Orange Order, the Battle of the Diamond, the Planters’ Covenant, the power of copyright law over sectarianism, and how all these issues still affect us today.

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Ep. 16 – Dick Feeney

Charlotte_Schreiber_-_The_Croppy_Boy
Charlotte Schreiber, The Croppy Boy (The Confession of an Irish Patriot), 1879

A super-sized Blooms and Barnacles! Dick is a friend of Kelly’s and Dermot’s who is a lover of Ulysses and the music found throughout the novel. Dick talks about some of his favorite songs that play a role in Ulysses and the history behind them. We also chat about the use of music in “The Dead,” the final story in The Dubliners. And because we’ve never  met a tangent we didn’t like, we also talk (briefly) about Dick’s time in Turkey, Stephen’s lost faith, Dick’s love of the opera, and  grieving over tragedies that happened many generations ago.

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