The Word Known to All Men

Touch me. Soft eyes. Soft soft soft hand. I am lonely here. O, touch me soon, now. What is that word known to all men? I am quiet here alone. Sad too. Touch, touch me.

The lines above appear towards the end of “Proteus,” page 49 in my copy (1990 Vintage International), as Stephen pens the first draft of his poem while reclining on a rock on Sandymount Strand. Our key line today is Stephen’s unanswered question: “What is that word known to all men?” James Joyce seemingly never met an obscure allusion or rambly list that he didn’t love. Naturally, posing a question and not giving a concrete answer is solidly in line with his style. 

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James Joyce, Ulysses, Stephen Dedalus, Aristotle, Sandymount Strand, Dublin, Ireland

Ep. 26 – Ineluctable Modalities

Ineluctable modality of the podcast! A discussion of the first paragraph of “Proteus,” in which Kelly and Dermot try to make sense of Stephen’s untethered inner monologue. We discuss Aristotle’s theory of vision, Bishop George’s Berkeley’s mistrust of sense perception, an interpretation of a famous meme, who Jakob Boehme was and what he meant by “signature of all things.” This episode will leave you with a pleasing sense of superiority over your friends.

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Dr Samuel Johnson

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Ep. 25 – Proteus

Michael_Maier_Atalanta_Fugiens_Emblem_36
The cubes in this emblem represent prima materia; 1617, Michael Maier

The time has come for Blooms & Barnacles to tackle Ulysses‘ third episode – “Proteus”! This is Ulysses‘ first “difficult” episode – jam-packed with multiple languages and obscure references. This week’s podcast gives an overview of many of the themes found in “Proteus,” including its connection to The Odyssey, the influence of esoteric doctrines on the text and Joyce’s love of writing in multiple languages. With guest star, Emma the cat.

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James Joyce Ulysses Mr Deasy Nestor The Odyssey Homer

Ep. 19 – Fogey and Tory

C2aVdIPWQAEjHrT.jpgA character study of the infamous Mr. Deasy, the headmaster of Stephen’s school in “Nestor,” the second episode of Ulysses. We discuss how Mr. Deasy is a stereotypical Dubliner of his day, as well as his defining characteristics (including his impressive mustache!) Mr. Deasy has a lot to teach us, though he is an old wise man archetype with no wisdom. We talk lots of history and politics in this one! Also, Kelly reveals the worst Scooby Doo character.

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Ep. 11 – Kelly Bryan

39748441_10102648692960357_5371947615535497216_oOn a Very Special Episode of the Blooms & Barnacles podcast – it’s Dermot’s first time leading an episode. He chose to interview his co-host and founder of the podcast, Kelly. He talks to her about why she’s the one to teach the world about Ulysses, her insane dream to stage “Circe,” how to make a soffee, and how she got invited to a party by the Lord Mayor of Dublin. A different vibe than our normal show, but don’t worry, it’s the good kind of weird. Continue reading “Ep. 11 – Kelly Bryan”

Decoding Dedalus: Omphalos

Daedalus in Ulysses was Joyce himself, so he was terrible. Joyce was so damn romantic and intellectual about him. He’d made Bloom up. Bloom was wonderful. – Ernest Hemingway, “On Writing”

This is a post in a series called Decoding Dedalus where I take a paragraph of Ulysses and  break it down line by line.

The passage below comes from “Proteus,” the third episode of Ulysses. It appears on pages 37 -38 in my copy (1990 Vintage International). We’ll be looking at the passage that begins “They came down the steps…” and ends “…clotted hinderparts.” 

They came down the steps from Leahy’s terrace prudently, Frauenzimmer: and down the shelving shore flabbily, their splayed feet sinking in the silted sand.

Who are “they”?

One “unhelpful” thing that pops up regularly in Stephen’s stream of conscious is unattributed pronouns. Joyce has enough faith in us, the readers, to figure out who “they” might be. I suppose we should be flattered. In this case, the “they” are “frauenzimmer” descending to Sandymount Strand. Here’s another thing Stephen likes to do – answer a question he posed himself in a foreign language. In German, “frauenzimmer” means either “lady of fashion” or a “nitwit, drab, sloven or wench.” I’m guessing, based on the description that  follows, Joyce intended to conjure the latter image in your mind. Leahy’s Terrace is a street in Sandymount that is no longer near the sea due to development in the area that included extending the shoreline.

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James Joyce, Ulysses, Stephen Dedalus, Aristotle, Sandymount Strand, Dublin, Ireland

Decoding Dedalus: Ineluctable Modalities

The first phase of apprehension is a bounding line drawn about the object to be apprehended. An esthetic image is presented to us either in space or in time. What is audible is presented in time, what is visible is presented in space. – Stephen Dedalus, A Portrait of the Artist as a Young Man

This is a post in a series called Decoding Dedalus where I take a paragraph of Ulysses and  break it down line by line.

The passage below comes from “Proteus,” the third episode of Ulysses. It appears on page 37 in my copy (1990 Vintage International). We’ll be looking at the passage that begins “Ineluctable modality of the visible” and ends “world without end,” roughly the first five paragraphs of the episode.

So begins my attempt to translate “Proteus” into plain English and offer analysis. Hopefully this doesn’t turn me (any more) insane.

There are two ways to tackle these first five paragraphs, which are important paragraphs indeed. They seem to be some of the most quoted lines in “Proteus,” though I suspect that may be because that’s when many of us stopped reading. Or it’s just the right amount to quote to make it seem like you read the rest. Kidding, kidding. These first five set the stage for Stephen’s increasingly meandering musings as the episode progresses. They’re also a prime example of Joycean stream of conscious. However, they are as shifty as the sand and tides on Sandymount Strand and slippery as a Greek god eluding capture.

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Ulysse, James Joyce, Mr. Deasy, anti-semitism

Never Let Them In

—They sinned against the light, Mr Deasy said gravely. And you can see the darkness in their eyes. And that is why they are wanderers on the earth to this day.

To listen to a discussion of this topic, check out the podcast episode here

We’ve already discussed Mr. Deasy’s retrograde and inaccurate views on the trustworthiness of women and his misinformed defense of the anti-Catholic Orange Order, so today we’ll complete the Mr. Deasy bigotry hattrick by taking a look at his anti-semitism. His disgust for the Jews stands out not only because it is his most impassioned prejudicial proclamation, but also because it’s the only one openly refuted by Stephen Dedalus. It also sets the stage for the arrival of Mr. Leopold Bloom in the episode after next.

Mr. Deasy doesn’t waste words on subtleties; his hatred of the Jews is on display in this passage. Naturally, the anglophilic headmaster focuses on the corruption of England rather than Ireland :

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Agenbite of Inwit, Stephen Dedalus, Ulysses, James Joyce

Ep. 9 – Remorse of Conscience

James Joyce, Ulysses, literature, Stephen Dedalus, riddle, Ireland, DublinKelly and Dermot discuss the recurring phrase “Agenbite of Inwit” and why Stephen repeats it over and over on June the sixteenth. Other topics included in the discussion are Buck Mulligan as nagging conscience, the gothic horror of growing up Irish, Catholic guilt and whether or not Stephen would have been better off praying at his mother’s bedside.

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