John Eglinton
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Lapwing
Near the end of “Scylla and Charybdis,” Ulysses’ ninth episode, Stephen realizes his lecture on Hamlet is rapidly disintegrating before his eyes. Not only are John Eglinton and the rest wholly unconvinced by his arguments, but he also has Buck Mulligan nipping at his heels, undermining him at every opportunity. Stephen looks to the heavens…
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Ep. 154 – Folly. Persist.
Satan comes forward a sinkapace. Topics in this episode include Goethe’s Wilhelm Meister, Goethe’s thoughts on Hamlet translated through Thomas Lyster, Elizabethan dances, Sir Toby Belch, Monsieur de la Palice and a hilarious French pun, John Milton, Paradise Lost, Stephen’s six brave medicals, Marie Corelli’s The Sorrows of Satan, Cranly, Medical Dick and Medical Davy,…
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Ep. 153 – Who Were the Real Men in the Library from “Scylla and Charybdis”?
Eglinton knows Best. Topics in this episode include the real-life versions of John Eglinton and Richard Best, Best’s contribution to the study of Irish mythology, how Best supported James Joyce’s abandoned music career, what his portrayal in Ulysses gets right and wrong, how the real Best felt about his fictional counterpart in Ulysses, gay-coding and…
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Decoding Dedalus: Saint Thomas’ New Viennese School
This is a post in a series called Decoding Dedalus where I take a passage of Ulysses and break it down line by line. The line below comes from “Scylla and Charybdis,” the ninth episode of Ulysses. It appears on page p. 205-206 in my copy (1990 Vintage International). We’ll be looking at the passage…
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Decoding Dedalus: He drew Shylock out of his own long pocket.
This is a post in a series called Decoding Dedalus where I take a passage of Ulysses and break it down line by line. The line below comes from “Scylla and Charybdis,” the ninth episode of Ulysses. It appears on page p. 204 – 205 in my copy (1990 Vintage International). We’ll be looking at…
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An Intimate Portrait of Mr. W. H.
“The Love that dare not speak its name” in this century is such a great affection of an elder for a younger man as there was between David and Jonathan, such as Plato made the very basis of his philosophy, and such as you find in the sonnets of Michelangelo and Shakespeare. It is that…
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Decoding Dedalus: Hamlet, ou le Absentminded Beggar
“The art of James Joyce, like that of Mallarmé, is art preoccupied with method, with how it’s made. Even the sensuality of Ulysses is a symptom of intermediation. It is an hallucinatory delirium – the kind treated by psychiatrists – presented as an end in itself.” – Fernando Pessoa This is a post in a…
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Decoding Dedalus: Horseness is the whatness of allhorse.
“Stephen disdains the subtle resuscitation of the Victorian bardolatry in the Revival’s aspiration to model the creation of Irish national culture on the use of Shakespeare for British national consolidation. Both efforts, to him, are grounded in the almost religious glorification of the poet.” – Irina D. Rasmussen, “Riffing on Shakespeare: James Joyce, Stephen Dedalus,…
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Decoding Dedalus: Folly. Persist.
This is a post in a series called Decoding Dedalus where I take a passage of Ulysses and break it down line by line. The line below comes from “Scylla and Charybdis,” the ninth episode of Ulysses. It appears on page p. 184-185 in my copy (1990 Vintage International). We’ll be looking at the passage…
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Who Were the Real Men in the Library from “Scylla and Charybdis”?
This post is a part of an occasional series on the real people behind the characters in Ulysses. Ulysses’ ninth episode, “Scylla and Charybdis” centers Stephen Dedalus’ heroic defense of his theory on Hamlet in the National Library, pitting our young Artist against several of Dublin’s literary elite, including Æ Russell, Richard Best and John…