James Joyce Ulysses Buck Mulligan

Ep. 3 – Joyce v. Gogarty

Orpen_OSJGogarty
Oliver St John Gogarty

In this episode we tackle the falling out between James Joyce and Oliver St John Gogarty, the origins of the character Buck Mulligan, what really happened in the Martello tower, blasphemous poetry and how Joyce found his sense of humor.

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On the Blog:

Say ‘Hello’ to Martello Towers
Who was the Real Buck Mulligan?

Poetry in Ulysses: The Ballad of Joking Jesus

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Further Reading:

Ellmann, R. (1959). James Joyce. New York: Oxford University Press.

Gogarty, O. (1948). Mourning became Mrs. Spendlove and other portraits grave and gay. New York: Creative Age Press.

Lyons, J. (1984). Oliver St. John Gogarty. Dublin Historical Record,38(1), 2-13. Retrieved from http://www.jstor.org/stable/30100748

Riley, M. (1984). Joyce, Gogarty, and the Irish Hero. The Canadian Journal of Irish Studies,10(2), 45-54. doi:10.2307/25512607. Retrieved from https://www.jstor.org/stable/25512607?read-now=1&refreqid=excelsior%3Aafd1aaaa4471f11ab4207fabb5556216&seq=9#metadata_info_tab_contents

Trieste Notebook:

http://digicoll.library.wisc.edu/cgi-bin/JoyceColl/JoyceColl-idx?type=div&did=JOYCECOLL.SCHOLESWORKSHOP.I0013&isize=text

Turner, J., & Mamigonian, M. (2004). Solar Patriot: Oliver St. John Gogarty in “Ulysses”. James Joyce Quarterly,41(4), 633-652. Retrieved from http://www.jstor.org/stable/25478099

Music

Noir – S Strong & Boogie Belgique

Joyce Ulysses literature Lady Gregory Yeats

James Joyce’s Poetic Rage

To put it nicely, James Joyce was a prickly pear. It’s well known that he left Dublin for continental Europe in 1904, never to return. His exile was self-imposed, but that didn’t stop him from metaphorically backing out of the room with two middle fingers raised. This reaction was simultaneously over-the-top and kind of justified. Joyce struggled to find his place amongst the literary set in Dublin because his own ego was frequently a major stumbling block. In fact, Joyce had a track record of throwing down poetically when things didn’t go his way. Joyce’s angry poetry reveals a lot about his personality and worldview, and since Ulysses is heavily autobiographical, it can help us understand where Joyce’s head was when he was constructing the oft unflattering portrayals of his friends in his novel.

 

The Holy Office

In order to understand this poem, we need to take a look at Joyce’s relationship with the movers and shakers behind the Irish Literary Revival underway in the early twentieth century. Often associated with people like W.B. Yeats, Lady Gregory and John M. Synge, this movement is associated with a flowering of Irish talent and a promotion of Irish traditional culture and nationalism. Though Joyce’s poetry is arguably in line with the style of the time, he felt that he was left behind by the literary bigwigs of his day.

Continue reading “James Joyce’s Poetic Rage”