James Joyce, Calypso, Ulysses, Leopold Bloom, Tayto, potato

Bloom’s Potato

“On the doorstep he felt in his hip pocket for the latchkey. Not there. In the trousers I left off. Must get it. Potato I have. Creaky wardrobe. No use disturbing her.” Ulysses, p. 57

The episodes “Calypso” and “Telemachus” correspond roughly to the same point in Leopold Bloom and Stephen Dedalus’ day – 8:00 A.M., breakfast hour.  The beginning of their stories overlap in many ways, including that both Stephen and Bloom leave home that morning without their key. Stephen’s is “usurped” by Buck Mulligan, while Bloom’s is absentmindedly forgotten.  A relatable mistake to most folks – he changes his trousers for a funeral, but neglects to transfer all the contents, leaving his latchkey in the other pair. However, he is unwilling to go back upstairs and disturb a dozing Molly, and so he leaves to buy his kidney without the latchkey to the front door of his Ithaca. However, Bloom idiosyncratically remembers a seemingly odd and insignificant item – a shriveled, black potato. A peculiar and impractical object to carry in a pocket it would seem, but Bloom thinks as he leaves for Dlugacz’s “Potato I have.” Why in the world would a grown man carry a dried-out, old spud in his pocket?

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James Joyce, Ulysses, Calypso, Leopold Bloom, Molly Bloom, metempsychosis

Met Him Pike Hoses

— O rocks! she said. Tell us in plain words. 

While Stephen Dedalus and Buck Mulligan were sniping at each other over breakfast on June 16, Leopold and Molly Bloom were discussing the idea of metempsychosis (better known as reincarnation) over their morning tea. After toiling through “Proteus,” we’re all familiar with high-minded metaphysical ideas and obscure references sliding in and out of the text of Ulysses. “Calypso,” like the preceding episodes, is full of references a 21st century reader might miss, but in this episode, we find high-minded topics like metempsychosis embedded in pop cultural ephemera that would have been recognizable to people in 1904 but might go over our heads today. Welcome to the mind of Leopold Bloom.

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James Joyce, Leopold Bloom, Ulysses

In the Jakes with Mr. Bloom

The life of [Ulysses] comes first and the philosophy afterwards. Obscenity is a question of manners and conventions for ever changing. Virtuosity, if it stood alone, would soon become demoded, and philosophy too, but living character stays through whatever material is presented. – Frank Budgen

Professor Bloom is a finished example of the new womanly man. – Ulysses, p. 493

While Leopold Bloom’s interest in butts is not the first thing we learn about him in “Calypso,” it certainly plays a key role in his actions over the course of Ulysses’ fourth episode. Ulysses, among many, many other things, is an ode to butts. It was written by a man smitten with hinderparts, as revealed in Joyce’s love letters to Nora Barnacle, which describe in graphic detail his lust for her butt and its various, predictable functions. Butts are celebrated in Ulysses’ 700+ pages as both functional and sexy. 

Of our two protagonists, Leopold Bloom shows a particular affinity for shapely cheeks. Bloom is so connected to butts that when he appears as Haroun al-Raschid in Stephen’s prophetic dream, one of the symbolic images Stephen recalls is, “The melon he had he held against my face. Smiled: creamfruit smell.” The image of a melon culminates  in “Ithaca” when Bloom finally curls up next to Molly, head to toe, and describes how “he kissed the plump mellow yellow smellow melons of her rump, on each plump melonous hemisphere, in their mellow yellow furrow, with obscure prolonged provocative melonsmellonous osculation.” A melon is not just a melon in Ulysses.

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James Joyce, Ulysses, Calypso, Leopold Bloom, kidney

Agendath Netaim

He took a page up from the pile of cut sheets: the model farm at Kinnereth on the lakeshore of Tiberias. Can become ideal winter sanatorium. Moses Montefiore. I thought he was. Farmhouse, wall round it, blurred cattle cropping. He held the page from him: interesting: read it nearer, the title, the blurred cropping cattle, the page rustling.

The cited passages appear mainly on pgs. 59-60 of Ulysses (1990 Vintage International Edition). 

Sometimes all a man needs is a nice pork kidney to start his day.

Leopold Bloom is endeavoring to do just this in “Calypso,” Ulysses’ fourth episode. Our hero has nipped around the corner from his house to buy the last pork kidney from Mr. Dlugacz, a porkbutcher and fellow Hungarian Jew. This encounter highlights just how tepid Bloom’s Judaism is – he’s opting for a decidedly un-kosher breakfast treat while ogling the “moving hams” of a stout cleaning woman. To reign in his lust while waiting in line, Bloom picks up a pamphlet for Agendath Netaim, a Zionist “planter’s company” offering to sell plots of land in Palestine to be planted with citrus trees and other crops. The Zionist movement encouraged the Jewish diaspora to settle in Palestine in order to create a Jewish homeland, eventually (spoiler alert) culminating in the foundation of the state of Israel in 1948. Bloom reads the pamphlet with interest, but given the casual nature of his Judaism, does it stir a longing in him for a Promised Land far to the East? 

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James Joyce, Ulysses, Calypso, Leopold Bloom

Ulysses & The Odyssey: Calypso

“… I found that for [Joyce] human character was best displayed – I had almost said entirely displayed – in the commonest acts of life. How a man eats his egg will give a better clue to his differentiation than how he goes forth to war… Cutting bread displays character better than cutting throats.”  – Frank Budgen

Part of an occasional series on the Homeric parallels in James Joyce’s Ulysses.

The Odyssey: Book 5

The gods are having a council. The nymph Calypso has imprisoned Odysseus on her island, Ogygia, and Athena persuades Zeus to intervene. Hermes the messenger is sent to Calypso, delivering Zeus’ message to release Odysseus or else. Calypso wanted to make Odysseus her immortal lover, but he was not interested. While on the island, he was forced to spend nights with Calypso and then spent the days weeping on the beach. Calypso lets Odysseus go, but not before reminding him that she’s way hotter than his wife. Odysseus builds a raft and sails away. Poseidon is not impressed, though, and sends thunderstorms to destroy Odysseus and his raft. After more divine intervention, Odysseus makes it to land.


Is it just me, or is it incredibly satisfying when, after finishing those last few pages of “Proteus,” you turn the page and it says “II” in giant Roman numerals? If you’re feeling a pronounced sense of accomplishment, feel free to raise your fists aloft like Rocky. You deserve it. Maybe stop for ice cream on the way home tonight.

Angelica_Kauffmann_-_Calypso_calling_heaven_and_earth_to_witness_her_sincere_affection_to_Ulysses
Calypso calling heaven and earth to witness her sincere affection to Ulysses, Angelica Kauffmann, 18th c.

Here in “Calypso,” the fourth episode of Ulysses, we finally meet our hero, Mr. Leopold Bloom, namesake of Bloomsday and our Odysseus stand-in. Like his son Telemachus, the reader spends the first three episodes of Ulysses searching for their own lost Odysseus, and here he is! Though Joyce’s novel runs parallel to Homer’s epic, the characters and situations are not always direct correlations. Rather, they are sideways versions of Homer’s archetypes. When we meet Odysseus in The Odyssey, he is languishing on the island of Ogygia where he is held captive by the nymph Calypso. Mr. Bloom is also languishing, but more subtly. Rather than weeping on a beach, he is preparing breakfast for his household. While Odysseus’ emotions are powerful and effusive, Bloom represses and evades his frustration as best he can.

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