James Joyce, Ulysses, Calypso, Leopold Bloom

Ulysses & The Odyssey: Calypso

“… I found that for [Joyce] human character was best displayed – I had almost said entirely displayed – in the commonest acts of life. How a man eats his egg will give a better clue to his differentiation than how he goes forth to war… Cutting bread displays character better than cutting throats.”  – Frank Budgen

Part of an occasional series on the Homeric parallels in James Joyce’s Ulysses.

The Odyssey: Book 5

The gods are having a council. The nymph Calypso has imprisoned Odysseus on her island, Ogygia, and Athena persuades Zeus to intervene. Hermes the messenger is sent to Calypso, delivering Zeus’ message to release Odysseus or else. Calypso wanted to make Odysseus her immortal lover, but he was not interested. While on the island, he was forced to spend nights with Calypso and then spent the days weeping on the beach. Calypso lets Odysseus go, but not before reminding him that she’s way hotter than his wife. Odysseus builds a raft and sails away. Poseidon is not impressed, though, and sends thunderstorms to destroy Odysseus and his raft. After more divine intervention, Odysseus makes it to land.


Is it just me, or is it incredibly satisfying when, after finishing those last few pages of “Proteus,” you turn the page and it says “II” in giant Roman numerals? If you’re feeling a pronounced sense of accomplishment, feel free to raise your fists aloft like Rocky. You deserve it. Maybe stop for ice cream on the way home tonight.

Angelica_Kauffmann_-_Calypso_calling_heaven_and_earth_to_witness_her_sincere_affection_to_Ulysses
Calypso calling heaven and earth to witness her sincere affection to Ulysses, Angelica Kauffmann, 18th c.

Here in “Calypso,” the fourth episode of Ulysses, we finally meet our hero, Mr. Leopold Bloom, namesake of Bloomsday and our Odysseus stand-in. Like his son Telemachus, the reader spends the first three episodes of Ulysses searching for their own lost Odysseus, and here he is! Though Joyce’s novel runs parallel to Homer’s epic, the characters and situations are not always direct correlations. Rather, they are sideways versions of Homer’s archetypes. When we meet Odysseus in The Odyssey, he is languishing on the island of Ogygia where he is held captive by the nymph Calypso. Mr. Bloom is also languishing, but more subtly. Rather than weeping on a beach, he is preparing breakfast for his household. While Odysseus’ emotions are powerful and effusive, Bloom represses and evades his frustration as best he can.

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Decoding Dedalus: God Becomes Featherbed Mountain

This is a post in a series called Decoding Dedalus where I take a passage of Ulysses and  break it down line by line.

The line below comes from “Proteus,” the third episode of Ulysses. It appears on page p. 50 in my copy (1990 Vintage International). We’ll be looking at the line that begins “God becomes…” and ends “…featherbed mountain.”

God becomes man becomes fish becomes barnacle goose becomes featherbed mountain. 

This sentence is a riddle for us, Stephen’s phantom students.

Early in “Proteus,” Stephen thinks, “Signature of all things I am here to read,” and as the episode closes, Stephen is still deciphering these signatures. All of the items in this list are, at least theoretically, signs that might appear to Stephen on the seashore. The question is, can we (or Stephen) interpret these signs? This sentence shows a progression of concepts shifting and metamorphosing into one another, staying true to the slippery, protean nature of the shore. Where does the land end and the sea begin? It’s all a matter of perspective depending on ever-changing and overlapping forms – the sand, the water, the tides that join them, all existing on a continuum, nacheinander and nebeneinander. 

How does God transform into a featherbed mountain, anyway?

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