Bishop George Berkeley
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Ep. 53 – The Virgin at Hodges Figgis’ Window
Dermot and Kelly carry on discussing “Proteus” in their flutiest voices! Topics in this episode include: yet more discussion of the philosophy of the good bishop of Cloyne, George Berkeley, shovel hats, the fluttering of the veil between the material world and the metaphysical world, Dermot’s grudge against Bertrand Russell, how language obscures one’s perception…
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Ep. 52 – A Reign of Uncouth Stars
Form of my form! Who watches me here? Kelly and Dermot wade into the final pages of “Proteus” to spend some time with old faves like Aristotle, Bishop Berkeley and Giordano Bruno. We dig deeper into Stephen Dedalus’ internal monologue while discussing Stephen’s concern for his future legacy, Stephen’s shadow, darkness shining in the brightness,…
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Ep. 27 – Nacheinander and Nebeneinander
Real talk: why are there no seagulls on Sandymount Strand in Ulysses? Have we stumbled onto a historical seagull-based conspiracy? Stay tuned to find out! Additionally, we’ll also continue discussing how Stephen’s walk on the beach is influenced by Berkeleyan idealism, Stephen’s perception of space and time, how blind people perceive the world and the…
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Ep. 26 – Ineluctable Modalities
Ineluctable modality of the podcast! A discussion of the first paragraph of “Proteus,” in which Kelly and Dermot try to make sense of Stephen’s untethered inner monologue. We discuss Aristotle’s theory of vision, Bishop George’s Berkeley’s mistrust of sense perception, an interpretation of a famous meme, who Jakob Boehme was and what he meant by…
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Decoding Dedalus: Signs on a White Field
“Actuality and the material world demand a winnowing down of facts to one linear story which serves one party, is the shout of the victor. In Ulysses, the human form is allowed to be infinite; no fact is considered unhistorical, no victory will be dismissed as pyrrhic. Everything is included because Ulysses is the epic…
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Decoding Dedalus: Ineluctable Modalities
“The first phase of apprehension is a bounding line drawn about the object to be apprehended. An esthetic image is presented to us either in space or in time. What is audible is presented in time, what is visible is presented in space.” – Stephen Dedalus, A Portrait of the Artist as a Young Man…